
Mumbai, December 15, 2025: Fashion has always been obsessed with time: its passing, its permanence, its ability to shape identity. In Amit Aggarwal’s Antevorta, time was not merely referenced; it was embodied. Worn by Sara Arjun, the sculptural black creation felt less like a garment and more like a philosophical proposition, blurring the boundaries between mythology, futurism and couture craft. The look captured a moment suspended between eras, where the past dissolved and the future took physical form.

The black ensemble worn by Sara Arjun featured a body-skimming silhouette punctuated by sculpted detailing, creating the illusion of movement frozen mid-flow. The interplay of matte and subtle sheen suggested depth, as though the fabric itself responded to light and shadow, much like time responding to perception.
The gown’s construction balanced restraint with drama. A sheer central panel introduced vulnerability, while the surrounding sculptural elements asserted strength and control. The shoulders curved softly, framing the body without overwhelming it, while the elongated line of the skirt reinforced a sense of continuity – unbroken, infinite. Styling was intentionally minimal. Hair swept into a sleek, sculpted bun and understated jewellery allowed the garment’s philosophy to remain front and centre.
Named after the Roman goddess who personified the future, Antevorta explored the elusive nature of time through multiple lenses – philosophy, mythology, religion, science and cosmology. The collection unfolded as a meditation on the universe’s invisible forces, translating abstract thought into wearable form. Aggarwal’s design language remained unmistakable: fluid yet architectural, sensual yet cerebral.
Who Is Sara Arjun?
For Sara Arjun, the moment marked more than a striking fashion appearance. It signalled evolution. Born in 2005, the actor had grown up in front of the camera, making her debut at just 18 months old and later earning acclaim for her performance in Deiva Thirumagal alongside Vikram. Over the years, she had moved seamlessly across Hindi, Tamil and Telugu cinema, gradually stepping out of her child-actor identity.